Post by sparklingblue on Nov 22, 2003 17:14:15 GMT -5
...from dvdanswers:
Recently MGM invited us to the promotional launch of the Die Another Day region two DVD. I took MGM up on this generous offer which included a chance to see the special features before the disc was released, the chance to be driven up and down Park Lane in an Aston Martin and, I was fortunate enough to be allowed to interview Vic Armstrong who was the 2nd Unit Director, or Action Unit Director as the role was sometimes known. Vic is an old hand at Bond films after starting his career as a stuntman in You Only Live Twice. Throughout the years he has had a hand in some of the greatest films of all time including Superman, Star Wars, Indiana Jones, James Bond and more recently Gangs of New York and so on with the interview.
DVDAnswers: So, are you a DVD fanatic?
VA: I’ve just had a home cinema put into my house which projects DVDs.
DVDAnswers: Oh right. A big projector?
VA – Yes it’s a ten foot screen and 7.1 THX and everything .. its such a wonderful medium. It’s fantastic! The difference between that and you know I can do tape as well. Its so great watching films projected with proper sounds and everything. I’ve been offered a thing to direct called Resident Evil so I projected that last night and it’s like WOAH!
DVDAnswers: The picture on that DVD is very clear.
VA – It’s superb! Really great.
DVDAnswers: So that was the last movie you watched?
VA – It was, Resident Evil, last night.
DVDAnswers: Is that the sort of genre of films you like? The high powered soundtracks, DTS?
VA – I like the DTS high powered soundtracks. Terminator 2’s I liked. I only watched that (Resident Evil) because I knew I was getting a script delivered today. Just bone up on it, you know? I’ve been watching all the Academy stuff because I am in the Academy and BAFTA like Gangs of New York, stuff like that. Normally I’m an action/adventure/comedy person. However I have just seen Y Tu Mama Tambien. I thoroughly enjoyed that. Thought it was fabulous. Anything with a good story, you know? Catch Me If You Can was wonderful.
DVDAnswers: Yes it was.
VA – Anything with a good story I like. I can get bored very easily.
DVDAnswers: OK moving towards this film. Can you explain your role in Die Another Day? I’m sure you’ve had to do this a few times today!
VA – Yes! We class ourselves technically as the Action Unit so in the old days you’d have the 2nd Unit which is still around but they tend to do a close up of this bottle or a close up of your hand writing or a close up of your machine getting turned on, or they get up early and wait for three or four days to try and get a lovely sun rise or sunset. Where as I have a one hundred and fifty man crew minimum and we do whole sequences which basically embodies the whole of the action sequence which is why we call it the Action Unit because we shoot the whole action sequence, and my job is to conceive that sequence, get it agreed with the main unit director and the producers and the financiers and everything else, take it to the special effects, the props, set construction – everything else, and have everything designed around that sequence and then at the end of the day I have to go out and shoot it. I also do a rough cut of it on my computer in Final Cut Pro 3 so we end up with a final cut, or my final cut and then the editor obviously does the cut for the movie. So we basically conceive and make the whole of the action sequences.
DVDAnswers: And how much of that comes from the original story that the writers would produce?
VA – Some movies like Gangs of New York there was a lot written down, a lot that Martin Scorsese wrote in this for instance, or in The World is Not Enough for instance, it said “He escapes from MI6 at Vauxhall bridge and chases the boat girl down the Thames and they wind up at the dome, and they end up on a hot air balloon.” That’s what we started with, so you drive up and down the Thames, and look at this and look at that and we conceive everything. In this one, in Die Another Day, there’s a hovercraft chase. We knew the bay would have hovercrafts because of the mines, and it being South Korea and supposedly these hovercraft can hover over the mines without detonating them. So, we knew we were going to have a hovercraft chase, but then I went to the area the location people had picked for us which was Aldershot which was the closest to the North Korea look we could get (laughs). So I walked round the location and devised all those gags and I put everything I could think together and there’s even more that’s in the movie. And then just hone it down and then shot it. So yeah, very often it’s SORT of a blank piece of paper, with just some ghostly instructions on if you like.
DVDAnswers: Did you find that from your experience in The World is Not Enough where it’s a boat scene and they are racing but they’re not on road, the back end will go out, did you find that had a lot of parallels with the hovercrafts?
VA – In some ways, probably when I started yes, and then once when we started testing these hovercrafts we suddenly realised they don’t manage, you can’t control them as much as you can even a boat which is tough enough you know? So they took on a whole life of their own and in fact I changed a lot of the storyline to match them once I started working with them realising exactly how unmanageable they were and unwieldy. So I started adapting the storyline for that as well, you know? I just wanted to go through the story and we even had one instance where they did a big jump and land on a lake and everything else which I had in my rough cut. I just wanted to show them in every type of terrain that a normal vehicle couldn’t cover.
DVDAnswers: Was the hovercraft perhaps your favourite scene to be involved with on Die Another Day?
VA – No I’d have to say the ice car chase was my favourite scene. That was, the original cut was much much bigger than that, much more balletic – it was like a ballet on ice. I was very proud of it because it had an amazing look to it. Hovercraft was unique in it’s own way, but this car chase was incredible because we had these two, you had this fantastic great wide shot of these two little dinky cars amongst great prehistoric icebergs with the blue and the ice and they were just floating and dancing and I was very proud of that one. To come up also with a chase with just two cars chasing, no interaction, no nothing you know?
DVDAnswers: Will we get any of that on the DVD?
VA – Yes I believe there’s a twenty six minute making of, so you’ll get to see all of that stuff on there which I was happy about when I read that on one of he previews of the DVD, yeah. It’s spectacular it really is, just sensational.
DVDAnswers: Yeah I’ll look forward to seeing that. So obviously protecting the stunt men for these types of scenes is paramount were there any times you can talk about where things did, or nearly went wrong when shooting this movie?
VA – Yeah on the ice chase, in particular, we were deadly worried about cars going through ice, but at the same time if you hit an iceberg then there would be a terrible impact or if the two cars hit each other as they do a lot of crossing or what have you. So we had five point harnesses built into all the cars but it was a personal agreement with whatever the drivers wanted to do whether they wore their harnesses or not because the open car is not so bad, you could probably get out of that, the Jaguar, but the enclosed Aston, if that did actually break the ice and go through, the shock of the water – I don’t think you’d ever release your harnesses and get out you know, so they both decided to go without harnesses on because the chances of hitting an iceberg was much less than going through the ice. And unfortunately once we did hit an iceberg (laughs) and totally destroyed an Aston Martin probably four, five hundred thousand dollars which was the money we put into them building them and everything else. And he got terrible concussion for four days cause he whacked his head on the side and then went up and split his head on the roll bars. But you know, he walked away from it, fine, four days after he was back again but err.. so that was a calculated risk if you like. If they had the harnesses on and they went in the water I don’t think they’d have come out of it, so you know.. just a calculated risk. Apart from that (touch wood) we didn’t really have any majors no.
Recently MGM invited us to the promotional launch of the Die Another Day region two DVD. I took MGM up on this generous offer which included a chance to see the special features before the disc was released, the chance to be driven up and down Park Lane in an Aston Martin and, I was fortunate enough to be allowed to interview Vic Armstrong who was the 2nd Unit Director, or Action Unit Director as the role was sometimes known. Vic is an old hand at Bond films after starting his career as a stuntman in You Only Live Twice. Throughout the years he has had a hand in some of the greatest films of all time including Superman, Star Wars, Indiana Jones, James Bond and more recently Gangs of New York and so on with the interview.
DVDAnswers: So, are you a DVD fanatic?
VA: I’ve just had a home cinema put into my house which projects DVDs.
DVDAnswers: Oh right. A big projector?
VA – Yes it’s a ten foot screen and 7.1 THX and everything .. its such a wonderful medium. It’s fantastic! The difference between that and you know I can do tape as well. Its so great watching films projected with proper sounds and everything. I’ve been offered a thing to direct called Resident Evil so I projected that last night and it’s like WOAH!
DVDAnswers: The picture on that DVD is very clear.
VA – It’s superb! Really great.
DVDAnswers: So that was the last movie you watched?
VA – It was, Resident Evil, last night.
DVDAnswers: Is that the sort of genre of films you like? The high powered soundtracks, DTS?
VA – I like the DTS high powered soundtracks. Terminator 2’s I liked. I only watched that (Resident Evil) because I knew I was getting a script delivered today. Just bone up on it, you know? I’ve been watching all the Academy stuff because I am in the Academy and BAFTA like Gangs of New York, stuff like that. Normally I’m an action/adventure/comedy person. However I have just seen Y Tu Mama Tambien. I thoroughly enjoyed that. Thought it was fabulous. Anything with a good story, you know? Catch Me If You Can was wonderful.
DVDAnswers: Yes it was.
VA – Anything with a good story I like. I can get bored very easily.
DVDAnswers: OK moving towards this film. Can you explain your role in Die Another Day? I’m sure you’ve had to do this a few times today!
VA – Yes! We class ourselves technically as the Action Unit so in the old days you’d have the 2nd Unit which is still around but they tend to do a close up of this bottle or a close up of your hand writing or a close up of your machine getting turned on, or they get up early and wait for three or four days to try and get a lovely sun rise or sunset. Where as I have a one hundred and fifty man crew minimum and we do whole sequences which basically embodies the whole of the action sequence which is why we call it the Action Unit because we shoot the whole action sequence, and my job is to conceive that sequence, get it agreed with the main unit director and the producers and the financiers and everything else, take it to the special effects, the props, set construction – everything else, and have everything designed around that sequence and then at the end of the day I have to go out and shoot it. I also do a rough cut of it on my computer in Final Cut Pro 3 so we end up with a final cut, or my final cut and then the editor obviously does the cut for the movie. So we basically conceive and make the whole of the action sequences.
DVDAnswers: And how much of that comes from the original story that the writers would produce?
VA – Some movies like Gangs of New York there was a lot written down, a lot that Martin Scorsese wrote in this for instance, or in The World is Not Enough for instance, it said “He escapes from MI6 at Vauxhall bridge and chases the boat girl down the Thames and they wind up at the dome, and they end up on a hot air balloon.” That’s what we started with, so you drive up and down the Thames, and look at this and look at that and we conceive everything. In this one, in Die Another Day, there’s a hovercraft chase. We knew the bay would have hovercrafts because of the mines, and it being South Korea and supposedly these hovercraft can hover over the mines without detonating them. So, we knew we were going to have a hovercraft chase, but then I went to the area the location people had picked for us which was Aldershot which was the closest to the North Korea look we could get (laughs). So I walked round the location and devised all those gags and I put everything I could think together and there’s even more that’s in the movie. And then just hone it down and then shot it. So yeah, very often it’s SORT of a blank piece of paper, with just some ghostly instructions on if you like.
DVDAnswers: Did you find that from your experience in The World is Not Enough where it’s a boat scene and they are racing but they’re not on road, the back end will go out, did you find that had a lot of parallels with the hovercrafts?
VA – In some ways, probably when I started yes, and then once when we started testing these hovercrafts we suddenly realised they don’t manage, you can’t control them as much as you can even a boat which is tough enough you know? So they took on a whole life of their own and in fact I changed a lot of the storyline to match them once I started working with them realising exactly how unmanageable they were and unwieldy. So I started adapting the storyline for that as well, you know? I just wanted to go through the story and we even had one instance where they did a big jump and land on a lake and everything else which I had in my rough cut. I just wanted to show them in every type of terrain that a normal vehicle couldn’t cover.
DVDAnswers: Was the hovercraft perhaps your favourite scene to be involved with on Die Another Day?
VA – No I’d have to say the ice car chase was my favourite scene. That was, the original cut was much much bigger than that, much more balletic – it was like a ballet on ice. I was very proud of it because it had an amazing look to it. Hovercraft was unique in it’s own way, but this car chase was incredible because we had these two, you had this fantastic great wide shot of these two little dinky cars amongst great prehistoric icebergs with the blue and the ice and they were just floating and dancing and I was very proud of that one. To come up also with a chase with just two cars chasing, no interaction, no nothing you know?
DVDAnswers: Will we get any of that on the DVD?
VA – Yes I believe there’s a twenty six minute making of, so you’ll get to see all of that stuff on there which I was happy about when I read that on one of he previews of the DVD, yeah. It’s spectacular it really is, just sensational.
DVDAnswers: Yeah I’ll look forward to seeing that. So obviously protecting the stunt men for these types of scenes is paramount were there any times you can talk about where things did, or nearly went wrong when shooting this movie?
VA – Yeah on the ice chase, in particular, we were deadly worried about cars going through ice, but at the same time if you hit an iceberg then there would be a terrible impact or if the two cars hit each other as they do a lot of crossing or what have you. So we had five point harnesses built into all the cars but it was a personal agreement with whatever the drivers wanted to do whether they wore their harnesses or not because the open car is not so bad, you could probably get out of that, the Jaguar, but the enclosed Aston, if that did actually break the ice and go through, the shock of the water – I don’t think you’d ever release your harnesses and get out you know, so they both decided to go without harnesses on because the chances of hitting an iceberg was much less than going through the ice. And unfortunately once we did hit an iceberg (laughs) and totally destroyed an Aston Martin probably four, five hundred thousand dollars which was the money we put into them building them and everything else. And he got terrible concussion for four days cause he whacked his head on the side and then went up and split his head on the roll bars. But you know, he walked away from it, fine, four days after he was back again but err.. so that was a calculated risk if you like. If they had the harnesses on and they went in the water I don’t think they’d have come out of it, so you know.. just a calculated risk. Apart from that (touch wood) we didn’t really have any majors no.